Farm Building in November

This year summer change to autumn overnight, one day it was hot and the next it was cold without too much moderate weather in between. All of the buildings on this abandoned farm property have the most beautiful weathered green steel/tin roofs, which I love to paint against the constantly changing seasons. I hope to go out again this week to paint on the farm if it is not to cold and the sun shines for a bit.

White Cup #3

Another look at the White Cup. I have painted about 11 different studies of this object and I like this one about the best of the last 10, it is loose and painted quickly.

Tangerine

After taking Carol Marine's workshop this summer in New York state I really understand the need to be able to draw quickly and accurately, something that I cannot yet do. I painted 4 small paintings of this subject before I started the 'final' one, each of the 4 preliminary studies revealed some more subtle aspect of the subject, making the final painting flow more easily. I am going to spend much more time this fall and winter working on my drawing skills.

Red Delicious

A quick sketch at Marina's a few weeks ago

Piggy Bank

This little piggy I painted a while ago with my friend Marina and I never posted it. It was a fun afternoon and we did a couple of versions of this delft ceramic bank that my mom gave me a few years ago.

Grey Day with Poplars

Marina and I drove around to some of our favorite painting spots but could not get inspired, the day was grey with rain coming in. Finally we turned down onto Schoolhouse Road to look for a spot that we had thought we would come back to one day. The sky was now completely overcast except a thin line of sky to the east which was bright yellow/coral. The bright line of the sky and the brilliant poplars which seemed to glow with light from within gave us the inspiration for the paintings. By the time we were finished it had started to rain. Undaunted we sat in the car and drank a cup of hot tea and felt our day most enjoyable and successful.

The Guardians

I am trying to keep my paintings loose, describing large colour areas and focusing on design rather than detail. This is much harder than it sounds. When standing outside in nature your eyes take in a million subtle changes in colour and value and it is so easy to zone in on one small area of the painting and keep working there. I find the discipline required to keep it big and keep it loose usually breaks down as I get more tired at the end of the day.

On the Way to Mattawa

This little sketch was painted on the day Marina and I went on our road trip to Mattawa. A lake lies beside Highway 17, with a small park with picnic tables, where travellers can get out of their cars and gamble about enjoying the beautiful natural world. We met a dog called Mary which I thought was cool.

Between the Showers

On the day this was painted rain showers rolled in one after the other all afternoon. It was a beautiful day between, and I did manage to almost finish this sketch before I got rained on.

The Poplars

After a very intense day yesterday painting at Crooked Slide Falls near Combermere Marina and I painted nearer to home off one of the small gravel roads in Laurentian Valley. We had only a short time to paint and so had to get things down quickly. I think we were both exhausted but because we had not been able to get out to paint lately we were determined to make our best effort. I had to make a few changes, actually I scraped the poplars off and repainted them completely painting lots of blue sky holes, in my studio that evening.

Slough on Forest Lea Road

Between the rain and the abyssmal featureless overcast conditions of the past seven days I managed to get out and paint a couple of times. On the day I paintined this sketch I drove a few miles from my house down Forest Lea Road into the bush and set up Marina's Solteck easel which she has lent to me while she is in Germany, and painted looking north across a slough. The colours are beautiful and so inspiring, I had a wonderful time while painting this piece, does it show?

Swamp on Barron Canyon Road

This is another sketch from my trip up Barron Canyon Road on Tuesday. The swamp is full of trees that have been drowned and are left standing in the shallow water. The sun was raking across the tops of the trees on the distant bank, the wind had died down and the reflections on the pond were unearthily beautiful.

On Barron Canyon Road

A very quick sketch of a stream that has been dammed up by beavers. I used a large filbert brush and painted on a Raymar panel. Marina lent me her Solteck easel to use while she is in Germany. Some how I messed up my camera AGAIN so that I can't use the aperature priority, which I was so happy with on the last post. Today the camera would not put the image on the card so that I could load it on to my computer. I ended up using one of the preset functions, which actually worked very well for this sketch. I know eventulally I'll get it.

Last Day of Summer

I have been away from my blog for the past while working out some technical problems, both in photographing my images and working with the images on my computer. My nursing job has also been taking a fair amount of my time so far this month. Monday the weather was gorgeous so my friend Marina and I decided to take a road trip up the Ottawa Valley to Mattawa. On the way north we scouted out some promising painting locations and ended up painting in two of them. This view is at a small park near Mackie, Ontario. It was late in the day so we had to paint fast to finish before the sun went down. We were joined briefly by two friendly truck drivers, Dallas and Gord, who gave us the location of a park on the Ottawa River where we can paint. Looking forward to that, thanks Gord!

White Cup # 2 - with Cherry Tomatoes

Another session with the white cup, same technique but the drawing is more accurate, especially the centering of the cup in the saucer and the relative sizes of the cup and saucer.

White Cup # 1 - with Cherry Tomatoes

From both of my workshops this summer I learned that I need to work on my drawing skills - especially with the brush, so I have decide to take on a project of painting this white cup under many circumstances, to see the correct proportions of its shape. My friend Marina told me that in a workshop by Jack Reid she once attended he told her it is sometimes necessary to repeat a subject as many as 25 times to really learn how to paint it. The above painting is a value study in Burnt Umber and White.

Late Summer Reflections

The colours of autumn are slowly replacing the greens of early summer, finally. I adore the the fall with it's cool, crisp days and cooler evenings. I always feel more energetic and wanting to get out and do things after moping around the house or at work in the hot humid days of mid-summer. The landscape comes alive with brilliant colour, each day more glorious than the last. I'm really looking forward to getting out and doing some paintings in the next few months.

Lily Pond

The end of summer is coming and the rich lush greens that are so difficult to paint because they are all so close in hue and value are starting to change to yellows, golds, and the occasional red. The grasses in the distance in this sketch have begun to make the transition to fall and stand out against the still green trees.

Beaver Pond on Barron Canyon Road

On Tuesday I drove up Barron Canyon Road and stopped by a beaver pond and did several sketches of the trees and water. There were still a few black flies and deer flies around to contend with. Despite the aggravation of the insects I hung in and had a great day painting.

The Laurentians

A study of a view across a field to the Laurentian Mountains in the background. This was painted a few miles from our house looking north. The photograph of the painting shows the sky darker than the sky in the painting. I'm still working with my polarizing lens and trying to replicate the colour and values on the monitor to match the paintings. Jeff Mahorney has some fascinating links from his blog to sites that explain colour management and the problems that arise when trying to duplicate colour when moving from paint, to camera, to monitor. I'm looking forward to reading what he has to offer in terms of practical advice for art bloggers.

Cardinal Flowers

This is the final painting after several studies. I liked the 6 x 6 piece but I thought the flowers at the top looked squashed so I changed the dimensions of the painting to 6 x 8 to accomodate the tall bottle and the curving flower stem. The background didn't look quite right so it got changed to a more neutral grey, I'm not sure if I like it or not.

The initial painting in a 6 x 6 format

Preliminary Studies

Cup with Tangerines

I haven't been posting much lately as my internet service has been poor. I have lost so many pictures, notes and emails into cyberspace lately that I decided to give it a rest. Yesterday this cup was painted by by Marina and myself at Round Lake. We had a great day painting and finished off the day with wine and pizza when her husband showed up with the goodies! Yay Sergio.

Pear 1 - 4

These small paintings were painted in 10 minutes each in the Carol Marine workshop last weekend. I have since done several of these groups of small paintings in an effort to improve my drawing with the paint brush, to practise being aware of value proportions, and to paint on a ground of the most saturated colour and greying the other areas around the focal area.

Red Delicious

I'm home from the Carol Marine workshop in Greenville, New York. It was an unbelievable experience. The Greenville Arms Inn where the workshop was held was a perfect spot: an original inn built around 1890, converted and made very comfortable for the home of the Hudson River Valley Art Workshops. Our teacher, Carol Marine, exceeded all expectations as a teacher. She is knowledgable, energetic, and generous. She led the group through a number of extremely helpful and enjoyable exercises, which I feel as I continue them at home I will grow much more quickly as an artist. As a person Carol was delightful to be with, totally funny, sweet, and natural. I would encourage anyone who wishes to grow as an artist to take one of her workshops and follow her blog. The study above is an example of one of the lessons on value that we worked on.

Yellow Flowers

I am busy getting ready for my next workshop, this one with Carol Marine. Carol has been posting her daily paintings on her blog since 2006. She is truly one of the very best contemporary artists, and I feel so fortunate to be attending one of her workshops. Marina and I leave Thursday morning for Greenville, New York where the workshop is to be held at an old inn the home of Hudson River Valley Art Workshops.